This beautifully written post-apocalyptic tale tends to get lost among the tales of cannibals and zombies, but I would rank it right up there with McCarthy's The Road or Crace's The Pesthouse. One refreshing difference in this novel is that the main character, Makepeace -- sheriff of a dead town -- is a woman. Her trials and travails are harsh, but her will to survive and sense of hope brighten an otherwise dark landscape.— From Mark B.
National Book Award Finalist for Fiction
My father had an expression for a thing that turned out bad. He'd say it had gone west. But going west always sounded pretty good to me. After all, westwards is the path of the sun. And through as much history as I know of, people have moved west to settle and find freedom. But our world had gone north, truly gone north, and just how far north I was beginning to learn.
Out on the frontier of a failed state, Makepeace—sheriff and perhaps last citizen—patrols a city's ruins, salvaging books but keeping the guns in good repair.
Into this cold land comes shocking evidence that life might be flourishing elsewhere: a refugee emerges from the vast emptiness of forest, whose existence inspires Makepeace to reconnect with human society and take to the road, armed with rough humor and an unlikely ration of optimism.
What Makepeace finds is a world unraveling: stockaded villages enforcing an uncertain justice and hidden work camps laboring to harness the little-understood technologies of a vanished civilization. But Makepeace's journey—rife with danger—also leads to an unexpected redemption.
Far North takes the reader on a quest through an unforgettable arctic landscape, from humanity's origins to its possible end. Haunting, spare, yet stubbornly hopeful, the novel is suffused with an ecstatic awareness of the world's fragility and beauty, and its ability to recover from our worst trespasses.
“Sublime . . . There is a satisfying sadness and finality to Theroux's vision.” —The New York Times Book Review
“The first great cautionary fable of climate change. Marcel Theroux's homespun tale about a solitary frontier survivor conjures up a monolithic world that's ominous and deeply memorable.” —Lydia Millet, The Washington Post
“A suspenseful, gripping vision of catastrophe wrought by the warring human impulses of greed and imagination.” —The Dallas Morning News
“Theroux has managed to pull off a macho novel that would appeal to both male and female readers. . . . . Who would have thought that a novel of doom could be so interesting . . . so . . . enjoyable? A real page-turner that's a surprising romp beyond despair.” —The Globe and Mail
“How refreshing to meet Makepeace Hatfield, who faces a world gone wild with hope, humor, and a scrappy tenacity that manages to find beauty in a ravaged arctic landscape, and hangs on to humanity against all odds.” —Pam Houston, author of Cowboys Are My Weakness
“Theroux is a master storyteller, and the narrative is as full of surprises as it is of murders. And in Makepeace he's created the moral centre of a heartless world: hardened by . . . experiences [yet] capable of great courage, friendship and loyalty, so that the bleak vision of this novel contains a glint of consolation.” —Brandon Robshaw, The Independent on Sunday (five stars)
“An absorbing end-of-days fable.” —GQ
“It's a great pleasure to fall into the pages of a natural-born storyteller. If you're looking for an unforgettable character, your search ends here.” —Russell Hoban, author of Riddley Walker
“Imaginative and extremely well written.” —Kate Saunders, The Times (London)
“An atmospheric tale of a near-future dystopia . . . One for fans of Margaret Atwood.” —Evening Standard
“Marcel Theroux delivers a masterly sleight-of-hand . . . and after the third chapter deftly pulls the rug from under the reader's feet. I was completely duped. It is set in a cruel Siberian landscape that is dotted with slave camps and where ‘human beings are rat-cunning and will happily kill you twice over for a hot meal.' This is an action-packed, dystopian adventure story with cracking set pieces.” —Sebastian Shakespeare, Tatler
“Theroux's postapocalyptic road novel will inevitably be compared to that other postapocalyptic road novel Oprah liked, and while Theroux . . . is not the existential stylist McCarthy is, he is a superior plotter . . . Theroux succeeds in crafting a wildly eccentric and intelligent page-turner that's ultimately and strangely hopeful.” —Publishers Weekly (starred review)