I've accepted bureaucracy as a fact of life. As something to take for granted. As something insidious. Graeber's collection of essays explains why this is so. More importantly, he points us to new ways and tools to conceive of, and interact with, bureaucracy. This book left me buzzing with ideas and wanting to reread. One of my favorites of the year.
From the author of the international bestseller Debt: The First 5,000 Years comes a revelatory account of the way bureaucracy rules our lives Where does the desire for endless rules, regulations, and bureaucracy come from? How did we come to spend so much of our time filling out forms? And is it really a cipher for state violence? To answer these questions, the anthropologist David Graeber--one of our most important and provocative thinkers--traces the peculiar and unexpected ways we relate to bureaucracy today, and reveals how it shapes our lives in ways we may not even notice...though he also suggests that there may be something perversely appealing--even romantic--about bureaucracy. Leaping from the ascendance of right-wing economics to the hidden meanings behind Sherlock Holmes and Batman, The Utopia of Rules is at once a powerful work of social theory in the tradition of Foucault and Marx, and an entertaining reckoning with popular culture that calls to mind Slavoj Zizek at his most accessible. An essential book for our times, The Utopia of Rules is sure to start a million conversations about the institutions that rule over us--and the better, freer world we should, perhaps, begin to imagine for ourselves.
About the Author
DAVID GRAEBER teaches anthropology at the London School of Economics. He is the author of Debt: The First 5,000 Years, Towards an Anthropological Theory of Value, Lost People: Magic and the Legacy of Slavery in Madagascar, Fragments of an Anarchist Anthropology, Possibilities: Essays on Hierarchy, Rebellion, and Desire, and Direct Action: An Ethnography. He has written for Harper's, The Nation, The Baffler, The Wall Street Journal, The Washington Post, and The New Left Review.