The stories in the wonderful collection aren't strictly about criminals, but most of the them do involve love in many of its strange manifestations. Trueblood is an incisive writer who plumbs the depths of human nature in both direct and glancing ways. Comparisons to Alice Munro aren't off the mark. Give her a try. You won't be disappointed.
Valerie Trueblood is, simply put, one of the finest story writers who is currently working in the American language, as prize committees acknowledge. In this, her beautifully made third collection, each of the fifteen stories asks two defining questions: What kind of love story is this? as well as, Who here is exactly what kind of criminal? In "His Rank," an armed man enters a bar to claim the girl he understands to be his destiny only to be told she has, the weekend before, married someone else. In "Skylab," in which lovers have run away together to work medical relief in Malaysia, the young woman is reading the Koran to learn what it says about adulterers even as she waits for satellite debris to rain down on her. She'll be punished, won't she, for the crime of happiness? And in "The Bride of the Black Duck" a new widow falls in love with an entire complicated family in her neighborhood, with whom she's suddenly, irrevocably plighted her troth: she is theirs, just as they are hers. In Criminals the stories are linked by theme, the characters often tender, movingly, but flawed; that is they are realistic. Love is hard won.
About the Author
Valerie Trueblood is a co-trustee of the Denise Levertov Literary Trust and is a contributing editor of The American Poetry Review. Her novel, Seven Loves, was selected for Barnes & Noble's Discover Great New Writers program. She lives in Seattle, WA.