I’ve been struggling with how to describe this novel, other than it’s often pensive and irregularly balanced for a “dystopian” story. Finally, I came to the conclusion (after 3 pages of notes) that it needs to be read because of the struggle it shows and invokes in us. That may not be very helpful, but as stubborn and intellectual Cedar says at the start, “...maybe you’ll understand. Or not. I’ll write this anyway…” I mean...what do you record for a possible life in a world unknown to you?
Forces--both natural and man made--have changed the world as we know it. Large swaths of the US are gone, and monsters and gods walk the earth. The Dinetah (the Navajo Nation) are now the dominant group--among them Maggie Hoskie, a trained monster hunter. When dark magic rises, Maggie reluctantly pairs with a smooth-talking medicine man named Kai to take it on. Roanhorse's debut is vivid, detailed, raw and human. Her characters are delightfully flawed, the world well-built, with a twisty plot and fast pace. I'm a hard sell when it comes to post-apocalyptic stories, but I loved this one. (And while you're waiting for the sequel, check out Killer of Enemies by Joseph Bruhac!)
Absolutely searing book of poetry with a fine eye toward metaphor and repetition. Díaz writes like a necromancer, an augurer, a sorceress - a conjurer. She combines the mythic with sharp realities of her Mojave family life and her brother's meth addiction - uncomfortable but luxurious, vibrant and tragic, erotic and linguistically Baroque.