Staff Picks by Tag

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Nightbitch: A Novel By Rachel Yoder Cover Image
$17.00
ISBN: 9780593312148
Availability: On our shelves now at one or more of our stores
Published: Anchor - July 5th, 2022

Is the dead-end life of suburbia making an exhausted and frustrated mother believe her canines are sharper and her body is starting to sprout a tail capable of wagging? Or is she actually transforming into a furry beast, desperate to sate her wanderlust by loping into the night of her neighborhood, snapping the necks of small creatures between her jaws filled with the rage of someone once so full of ambition? Either way, it is capable of making you say *WHAT THE HELL* at 1AM because the character is so ravenously unhinged.


Review by Sarah C.

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Sarahland By Sam Cohen Cover Image
$15.99
ISBN: 9781538735077
Availability: On our shelves now at one or more of our stores
Published: Grand Central Publishing - March 8th, 2022

Sarahland is an acid road trip with writhing bodies stuck together by lip gloss and bodily fluids I can't mention here. The little connections and pop culture references - BUFFY! - made me beam in delight, and one story in particular made me dream of becoming a Sarah who turns into a tree. The fluidity of gender and sexuality, as well as all the different shapes and sizes a body can be, are all celebrated in this collection of messy queer Sarahs. 


Review by Sarah C.

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Friday Black By Nana Kwame Adjei-Brenyah Cover Image
$18.99
ISBN: 9781328911247
Availability: On our shelves now at one or more of our stores
Published: Mariner Books - October 23rd, 2018

The stories in Friday Black are volatile, unpredictable concoctions. While reading them, I imagined author Nana Kwame Adeji-Brenyah as a mad scientist, mixing beakers with wild abandon: some societal critique here, a little gallows humor there, a dose of dystopian sci-fi just for kicks. The resulting stories feel just as likely to combust as they do to end. Adjei-Brenyah is among the most exciting new voices in fiction I've encountered all year, the heir apparent to Vonnegut and Saunders's tradition of dark, socially incisive postmodernism.


Review by Theo